![]() Visual sound shapes and sound event/object construction.Audio editing techniques for composition within a DAW.The student will be able to operate a portable recording device to a standard relevant to the module. The student will have an understanding of the technical and aesthetic issues surrounding electronic music and be able contextualise their own work within the contemporary wider repertoire. The student will be able to organise sound material effectively within a DAW to create an original composition in the style of acousmatic music. The students will be able to effectively edit/mix and transform sound files within a DAW and more specialist audio applications. To introduce the students to audio transformation techniques using plugins and standalone audio applications. To introduce the student to the graphic transcription of sound. To develop the students awareness of the technical and aesthetic issues surrounding acousmatic music within the wider context of contemporary music. It's defintitely worth a few minutes of your time to head over to SoundHack's website and try these plug-ins for yourself.To enable the students to use a DAW effectively to an intermediate level. While the sound of these plug-ins can sound digital at times, they're still worth having around as I'll bet that more times than not they'll see some real use. It's also nice that these are available for Pro Tools, as many free plug-ins out there are not. You aren't going to find too many plug-in bundles for free out there, let alone some that actually sound pretty good and that give you a variety of colors to work with. As long as you have a system where you're currently comfortable running your DAW and some plug-ins, I don't believe you'll have an issue running the Delay Trio.įor starters, let me say that I think it's awesome that SoundHack is giving away not just one delay plug-in, but three in the Delay Trio bundle. These plug-ins won't take up too much of your processing power, but admittedly I haven't had a need to really run more than one or two of them at a time, and when I do use them I'll do so on auxiliary channels to ensure that I'm getting the most from them in terms of processing power. I run Pro Tools LE 8 using a Digi 002R audio interface or a Digidesign Micro Box. The Mac Book Pro that I'm running the plug-ins on has a 2.2 Ghz Intel Core 2 Duo processor and 4 GB of RAM. I'm currently running the SoundHack Delay Trio plug-ins on a Mac Book Pro computer and in Pro Tools LE 8, so needless to say I'm running the RTAS version of the plug-ins in OS X. A manual shouldn't be necessary with the Delay Trio of plug-ins. Each of the three plug-ins has a good amount of control to work with, but I wouldn't say that they're difficult plug-ins to use as everything should be more or less self explanatory. You can download the plug-ins as a bundle right from SoundHacks's site, and the whole process of installing and downloading them shouldn't take very long at all. The plug-ins come in both a Mac and PC format, with either VST, AU, or RTAS formats to choose from. Each aims to give you a different look on software delays. All of the plug-ins are free, and included in the bundle is the +delay plug-in, +pitchdelay, and +bubbler. ![]() The SoundHack Delay Trio is a free plug-in bundle consisting of three different delay plug-ins.
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